The Pack AD / Cadaver Dogs / The TVees / Valerie Graham
ANZA Club
June 20th, 2008
Dave Bertrand
So we swagger in with our free stamps and I'm feelin' good – old friends in the house, old friends at the bar, fist of beer; I enjoy the...
Ontario’s framework for Stage 3 reopening, concerts are officially allowed to happen.
But there are specific conditions and appropriate health and safety measures that are required to be in place (physical distancing, physical barriers between audien
Amethyst were a clear bright spot on the local scene in their heyday, and if you love classic heavy metal or hair metal, you'd be well served to check out their available material
Story on former drummer for Chris Belsito Band
...We have quite the throwback this month, as we're finally taking a look at "Foggy Style Volume 1", the compilation album put out by defunct local nightclub & concert venue Foggy Notions during the peak of their run at 704 Queen Street East!
One Thursday night we went to the local Ramada inn and caught a new act called “Parade”. It starred a young Canadian girl named Debbie Lori Kaye. She was about 4 feet 11 inches tall, cute as a button, and had a voice unlike any we had ever heard...
Soolebrity Records is releasing a vinyl re-issue of Room 206’s debut album, "2 Innies and 1 Outie", originally released on cassette, with bonus tracks that include members of No Doubt, Goldfinger and No Use for a Name
Chris Belsito, SooToday.com's Arts and Entertainment Editor-Person, has been formally reprimanded, News Director Dave Helwig announced this afternoon.
picking through the 45s at various second hand places around town you can still find her music. It was 50 years ago that she released two 45s on Columbia Records: Come on home / Help me love you and Ride Ride Ride / Break my mind.
Debbie Lori Kaye featured in a 1970 MacLean's article looking into the Canadian Radio-Television Commission's brand new Canadian content ruling - "by January 18, 1971, 30% of music played on AM radio in Canada should be, in some part, Canadian"
This is The End of Shaun Antler’s efforts to document Sault Ste. Marie’s music history.
What started as a small-scale attempt to get names of members of groups through the years grew into a two-year project that now stands at 1,722 entries.
the Music City concept has emerged under a determined Sault Chamber of Commerce and wider business community leadership. A simple, but evocative notion – the Sault as a recognised locale that embraces its music industry, leveraging its known talent, ass
The Borderline internet radio is on a mission to make local arts and culture front and centre in the community